I. SOUNDWe returned as if to the surface of the earth we raged—slumped rockpiles’ threadbare tarps choking the pipes & rusted upon arrival.The infection they said was grounded— our purple feet, torn lace.I quiet to listen— a jade plant’s silk thread looking to root, bodies of dead bees rattling the wheat—because I want to write of it as nothing recognizableof which I survive. Its meadows— sunken or dust. Carcasses of gutted cattle buzzing in the dark. II. FORM In this version, there is only a beachat the end.We walk the shifting periphery of all the things we’d done wrong or wronged.Or didn’t, couldn’t, wouldn’t right. We circle as if turning the lungs inside out.The peeling marquee of the once-marbled bathhouse captures the salt wind—could we have memorized the shape of a hurricane and bent that way? Even now so deep into the after we know we must always turn back or drown. III. IMAGEI muddle the wordwith the world— grain sound flight—how the last thoracic flarewill get the best of us— blue smoke in bloom a narrow isthmus ashy spring.Or none of these things. To the north, the river’sslender neck. My eyes are weary machines.
Triptych
Feature Date
- November 10, 2023
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First published in The Kenyon Review, 45:3 (Summer ’23), pp. 203-205
Copyright © 2023 by Jennifer Elise Foerster.
All rights reserved.
Reproduced by Poetry Daily with permission.
Jennifer Elise Foerster is of German, Dutch, and Mvskoke descent and is a member of the Mvskoke (Creek) Nation of Oklahoma. She earned a BFA from the Institute of American Indian Arts, an MFA from Vermont College of Fine Arts, and PhD from the University of Denver. She is the author of the poetry collections Leaving Tulsa (2013) and Bright Raft in the Afterweather (2018). Her poems have been anthologized in Sing: Poetry from the Indigenous Americas (2011), New California Writing 2011 (2011), and Turtle Island to Abya Yala (2011).
A former Wallace Stegner Fellow, Foerster has received fellowships from Soul Mountain Retreat, the Naropa Summer Writing Program, the Idyllwild Summer Poetry Program, Dorland Mountain Arts Colony, the Vermont Studio Center, and the National Endowment for the Arts. She co-directs For Girls Becoming, an arts mentorship program for Mvskoke youth in Oklahoma and teaches at the Institute of American Indian Arts low-residency MFA program.
Summer 2023
Gambier, Ohio
Kenyon College
The David F. Banks Editor
Nicole Terez Dutton
Managing Editor
Abigail Wadsworth Serfass
Associate Editor
Sergei Lobanov-Rostovsky
Poetry Editor
David Baker
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