Ballad from the Soundhole of an Unstrung GuitarThe best I ever wrote was in an attic.No chair. Manual typewriter on an upended box.No screen on the lone window, which I removed.Bats flew through.I woke up one night and Blue was in bed with me.Nah, I said, and he put on his wire-rimmed glasses and left.Somehow, I ended up with two kittens. Littermates.I wonder how they lived and died, where they went.The only furniture was the mattress on the floor.A wooden box full of someone’s Mardi Gras beads.No ethics. No lock on the door.No worries about vermin, rabies, fleas.Where did I pee in the middle of the night?There must have been a bathroom down those narrow stairs.A shower somewhere.A gold shower curtain laced with mold.Blue once told me I walked in on him peeing and laughed.That it ruined his life.Well, Jesus, I’m sorry.I would never have apologized back then.I knew no forms.Just a swarm of bees in the rafters who agreed to leave me be.I made a line break when I took a drag on my Salem Light.Menthols were pure as poetry.Where are the words now, that you wrote in that hellhole?On the typewriter ribbon I stuck in a knothole. Romantic PoetYou would not have loved him,my friend the scholardecried. He brushed his teeth,if at all, with salt. He lied,and rarely washedhis hair. Wiped his asswith leaves or with his hand.The top of his head would have barelyreached your tits. His pitsreeked, as did his deathbed.But the nightingale, I said.
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“Ballad from the Soundhole of an Unstrung Guitar” and “Romantic Poet” from MODERN POETRY: by Diane Seuss.
Published by Graywolf Press on March 5, 2024.
Copyright © 2024 by Diane Seuss.
All rights reserved.
Reproduced by Poetry Daily with permission.
Diane Seuss was born in Indiana and raised in Michigan. Seuss is the author of the poetry collections Frank: Sonnets (2021), winner of the Pulitzer Prize and the National Book Critics Circle Award; Still Life with Two Dead Peacocks and a Girl (2018); Four-Legged Girl (2015), finalist for the Pulitzer Prize; Wolf Lake, White Gown Blown Open (2010), winner of the 2009 Juniper Prize for Poetry; and It Blows You Hollow (1998). Her work has appeared in Poetry, the Georgia Review, Brevity, Able Muse, Valparaiso Poetry Review, and the Missouri Review, as well as The Best American Poetry 2014. She was the MacLean Distinguished Visiting Professor in the Department of English at Colorado College in 2012, and she has taught at Kalamazoo College since 1988. Seuss earned a BA from Kalamazoo College and an MSW from Western Michigan University.
“Diane Seuss’s superb Modern Poetry is no mere survey; it’s a full-frontal seminar on the subject. In these forty-one fiery poems, Seuss takes a deep dive into our inheritance from the Romantic and Modernist lyric poets, like Keats and Hopkins, through Stevens and Plath, ‘the final modern poet.’ Her sizzling (and often funny) task is to insist on the radical differences she savors from those earlier custodians of the melancholy sublime, where Beauty was writ large and meaning can still seem like an academic exercise—or mere fog. The truth in Seuss’s world is gritty, with dirt on its hands, determined by a self-assertive resistance to the Romantic ideal. For every ‘Aria,’ ‘High Romance,’ and ‘Villanelle,’ she counters with a ‘Cowpunk’ and ‘Little Fugue with Jean Seberg and Tupperware.’ She shows us that class, region, race, gender—those identifying features—are not things to be solved or resolved in some transcendental razzmatazz but accepted, embraced. Seuss exposes the falsity of idealized love, of academic coziness, and the grandeur of sublimity by a self-deprecating humor that morphs time and again into a wily, powerful, self-valuing gift.”
—David Baker
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