Two Poems
To a Late PoplarNot yet half-drest,O tardy bride!And the priestAnd the bridegroom and the guestsHave been waiting a full hour.The meadow choirIs playing the wedding marchTwo fields away,And squirrels are already leaping in ecstasyAmong leaf-full branches. Stony Grey SoilO stony grey soil of Monaghan,The laugh from my love you thieved;You took the gay child of my passionAnd gave me your clod-conceived.You clogged the feet of my boyhood,And I believed that my stumbleHad the poise and stride of ApolloAnd his voice my thick-tongued mumble.You told me the plough was immortal!O green-life-conquering plough!Your mandril strained, your coulter bluntedIn the smooth lea-field of my brow.You sang on steaming dunghillsA song of cowards' brood,You perfumed my clothes with weasel itch,You fed me on swinish food.You flung a ditch on my visionOf beauty, love and truth.O stony grey soil of Monaghan,You burgled my bank of youth!Lost the long hours of pleasure,All the women that love young men.O can I still stroke the monster's backOr write with unpoisoned penHis name in these lonely verses,Or mention the dark fields whereThe first gay flight of my lyricGot caught in a peasant's prayer.Mullahinsha, Drummeril, Black Shanco —Wherever I turn I seeIn the stony grey soil of MonaghanDead loves that were born for me.
Feature Date
- September 3, 2023
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“Two Poems” from SELECTED POEMS: by Patrick Kavanagh.
Published by Wake Forest University Press in November, 2022.
Patrick Kavanagh, Dublin 1966 © Estate of Evelyn Hofer.
All rights reserved.
Reproduced by Poetry Daily with permission.
Patrick Kavanagh was born in Inniskeen, County Monaghan, in October 1904. His poetry collections include Ploughman and Other Poems (1936), A Soul for Sale (1947), and Come Dance with Kitty Stobling and Other Poems (1960). He also wrote the novel Tarry Flynn (1948) and an early autobiography, The Green Fool (1938). He died in Dublin in November 1967.
Winston-Salem, North Carolina
“All Kavanagh’s gifts are on display,” as Paul Muldoon writes in his introduction to this new selection of 40 poems spanning 30 years of Patrick Kavanagh’s career. In truth, these gifts were hard-won, from his earliest self-taught verses after leaving primary school at the age of 13, to his refusal of sanitized pastoral depictions of rural Ireland while living among Dublin’s literary elite, to his transcendent later poems written in the wake of an operation to remove one of his lungs after a cancer diagnosis. Throughout his life, Patrick Kavanagh would carve out a place for himself as one of Ireland’s most important poets with what Muldoon calls “the documentarian’s eye and ear for the everyday technical term.” Gathered here are among his best and best-known poems, beginning with some of his earliest publications in 1930 and continuing chronologically into the 1960s with essentials from his career, as well as highlights left unpublished during his lifetime. The Great Hunger, often considered his major achievement, is presented as a centerpiece alongside Lough Derg, a poem of nearly equal length and possibly equal, though unrecognized, importance. Paul Muldoon presents his selection with a characteristically deft introduction, weaving biographical details into new ways of looking at Kavanagh’s life and lasting legacy of finding “a star-lovely art / In a dark sod.”
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