Voiceover

Rita Dove

Impossible to keep a landscape in your head.Try it: All you'll get is pieces—the sunemerging from behind the mountain ridge,smoke coming off the ice on a thawing lake.It's as if our heads can't containanything that vast: It just leaks out.You can be inside a house and still feelthe rooms you're not in—kitchen belowand attic above, bedroom down the hall—but you can't hold onto the sensationof being both inside the wallsand outside looking at themat the same time.Where do we go with that?Where does that lead us?There are spaces for livingand spaces for forgetting.Sometimes they're the same.We walk back and forth without a twitch,popping a beer, gabbing on the phone,with only the occasional stubbed toe.The keyhole sees nothing.Has it always been blind?It's like a dream where a voice whispersOpen your mouth and you do,but it's not your mouth anymorebecause now you're all throat,a tunnel skewered by air.So you rewind; and this timewhen you open wide, you're standingoutside your skin, looking downat the damage, leaning in close . . .about to dive back into your body—and then you wake up.Someone once said: There are no answers,just interesting questions.(Which way down? asked the dove,dropping the olive branch.)If you think about it,everything's inside something else;everything's an envelopeinside a package in a case—and pain knows a way into every crevice.

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photo of Rita Dove
Photo:
Fred Viebahn

Rita Dove won the Pulitzer Prize for her third book of poetry, Thomas and Beulah, in 1987 and served as U.S. Poet Laureate from 1993 to 1995. She received the National Humanities Medal from President Clinton and the National Medal of Arts from President Obama—the only poet ever to receive both. Her most recent honors include the 2019 Wallace Stevens Award and the 2021 Gold Medal in poetry from the American Academy of Arts & Letters—the third woman and first African American in the 110 years of the Academy’s highest honor. She is the Henry Hoyns Professor of Creative Writing at the University of Virginia. Her eleventh collection of poetry, Playlist for the Apocalypse, was published in August 2021.

cover of Playlist for the Apocalypse

New York, New York

In her first volume of new poems in twelve years, Rita Dove investigates the vacillating moral compass guiding America’s, and the world’s, experiments in democracy. Whether depicting the first Jewish ghetto in sixteenth-century Venice or the contemporary efforts of Black Lives Matter, a girls’ night clubbing in the shadow of World War II or the doomed nobility of Muhammad Ali’s conscious objector stance, this extraordinary poet never fails to connect history’s grand exploits to the triumphs and tragedies of individual lives.

Meticulously orchestrated and musical in its forms, Playlist for the Apocalypse collects a dazzling array of voices: an elevator operator simmers with resentment, an octogenarian dances an exuberant mambo, a spring cricket philosophizes with mordant humor on hip hop, critics, and Valentine’s Day. Calamity turns all too personal in the book’s final section, “Little Book of Woe,” which charts a journey from terror to hope as Dove learns to cope with debilitating chronic illness.

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